User blog comment:GingoFTW/The first Ficreation blog post in 2020/@comment-9991649-20200110024119

It always cracks me up; the fact that people are complaining about things like MYCUN and Addie because they starred copyrighted characters that obviously don't belong to whoever created the aforementioned two.

...Yet they give MY adaptation of characters that aren't mine a free pass?!?

It's true, Gabe. Look up its poster on my DeviantArt page, and you'll notice very quickly how popular it's become with Jack C. fans over the last couple years, some of whom noted its authentic quality and called it an improvement over what Jack's poster parodied (and, unbeknownst to them, a previous version of the fan-fic... that we do not speak of). It still remains my most favorited Deviation with nearly 80 favorites as I'm writing this, and I look forward to create something that will one day top that.

That may seem irrelevant to the topic of your, let's just say, less proud work. But hear me out:

Odds are, some accomplishments in life that may seem unnecessary at you and your followers' first glance, may surprisingly still hold up years later (to you, personally), depending on how much effort, diligence, passion, and attention to detail you put into that one life-changing project, though more importantly the intentions that are behind it.

Take our respective two notable (or notorious) fanon movies, for instance.

Whereas Doodle Toons admittedly may not be as great as I claim the critics called it, but at least had an impactful, personal backstory behind it that still inspires me to continue making great art to this day (such as these these vividly bizarre DT fanarts and some of these oddball original characters, including a bat that can turn a human boyfriend into her species with one bite ), YOUR film MYCUN on the other hand seems to have aged to a point where it's now become a blatantly dated product of your self-important 14-year old self, whose only reason for its existence is so you can express a... less-than-subtle hatred for a mediocre but harmless pop singer, not helped either by flanderized portrayals of your favorite characters (or some were, at the time). Granted, DT initally came out of an unhealthy obsession of mine too, but that was more because of the months-long difficulties I had getting its characters, art style, and damsel-in-distress plot of "Rabbit for Dinner" out of my head and wanted to mix it with a fake "CGI" style of someone (you specifically) who didn't tend to write or draw as authentically as Jack did.

The 3D-style models, movie concept, and fan art were pretty much my therapy, really. But somehow, they made the last four years of development worth it! They somehow motivated me to face my fear, and finally get to show my ACTUAL STYLE of cartoon animals after years of hiding it from the Internet in favor of cheap stick figures trying too hard to be TjsWorld2011. And now, look where it's all lead me to.