Topia/Transcript

Transcript for Topia.

Transcript


 ''A mystical forested area with a purple hue is seen with insects flying around in the background, bushes with different colored berries are seen. Sounds of waterfalls are heard in the background. A white rabbit hops into frame, it's seen observing it's surroundings.  It then goes to a nearby berry bush and starts nibbling at the berries. A pair of red eyes are seen in a different bush, we eventually go the perspective of the creature in the bush. We exit the bush, and we start creeping towards the rabbit. After a few steps, the rabbit notices and attempts to hop away. We then dash to the rabbit. Before we see any bloodshed, it cuts to the bush the rabbit was at with the sound of a squeal. The colors of the forest are now a dark blue. We zoom out of this shot to see a pair of feet enter the shot. We then zoom to the figure and pan up it's body, we stop the figure's head, who happens to be wearing goggles. A shot of the figure's entire body is shown, the creature that attacked the rabbit which turns out to be a fox appears into frame with the rabbit in it's mouth and eventually crawls up the figure's back and wraps itself around the neck of the figure. The figure takes the rabbit out of the fox's mouth and analyses it. He then pets the fox on his neck and leaves the area.'' CUT: A cabin in a forested area, the hunter is seen going past to a river next to it. We then cut to him at the river, who then takes the rabbit out of the fox's mouth and starts cleaning the rabbit's carcass. CUT: Inside of the cabin, the hunter is seen sitting next to a huge stew pot cooking what is supposedly rabbit stew. <p style="text-align:center;">He is then seen taking a bowl and puts some of the stew in it and starts eating it. <p style="text-align:center;">CUT: The exterior of the cabin, with the fox seen keeping watch. <p style="text-align:center;">The opening credits run over this shot. <p style="text-align:center;">CROSS DISSOLVE: ''A forested area at nighttime, it then turns day and a boy is seen running down it. Two men are seen running after the boy. <p style="text-align:center;">CUT: A front shot of the boy running, panting while two men are seen running in background after him. <p style="text-align:center;">The boy trips and falls, one of the men grabs him as he gets up, the boy kicks him in the chest a few times and the man lets go and the boy runs off. <p style="text-align:center;">The other man enters the shot, he quickly stops. <p style="text-align:center;">MAN (Quickly): <p style="text-align:center;">What are you doing?! Get him! <p style="text-align:center;">The other man quickly runs off. The man in the shot then gets up and runs. <p style="text-align:center;">CUT: Another shot of the boy running, he starts to slow down from exhaustion, and eventually falls down, panting. <p style="text-align:center;">The two men eventually catch up with the boy and grab him. <p style="text-align:center;">The men are shown restraining the boy. <p style="text-align:center;">CUT: A dark dungeon. The boy is then thrown inside a cell.'' <p style="text-align:center;">GUARD (Offscreen): <p style="text-align:center;">This is the third time this week! How you keep on escaping i'll never know... <p style="text-align:center;">The slam of a door is heard. <p style="text-align:center;">It pans to the boy sitting on the ground, he then gets up and look out an iron bar window in the dungeon. <p style="text-align:center;">CUT: The forest with the sunset in the background. <p style="text-align:center;">GUARD: <p style="text-align:center;">(Offscreen) Hey! <p style="text-align:center;">The boy quickly turns his head back. <p style="text-align:center;">GUARD: <p style="text-align:center;">Stop daydreaming and get to sleep! <p style="text-align:center;">The boy nods. <p style="text-align:center;">The guard walks away from the cell. <p style="text-align:center;">The boy lays down on a bed in the cell, it cuts to close up shot of him laying down, he breathes in, and closes his eyes upon breathing out. <p style="text-align:center;">Beat <p style="text-align:center;">A whistle is heard, the boy immediately jolts up. <p style="text-align:center;">GUARD: <p style="text-align:center;">Alright you worthless pieces of good for nothing trash! Get up! We'll be mining today! <p style="text-align:center;">The groan of all the prisoners are heard. <p style="text-align:center;">GUARD: <p style="text-align:center;">Groan again and meet the local waterfall! <p style="text-align:center;">Other guards open cells and prisoners proceed to come out. <p style="text-align:center;">CUT: Prisoners with pickaxes mining ores in the forest. <p style="text-align:center;">We pan from one prisoner to another, ranging from various heights until we reach the boy. <p style="text-align:center;">PRISONER: <p style="text-align:center;">I've found it! <p style="text-align:center;">The prisoner runs past the boy, he then finds the gaoler, a character in a black coat and glasses. <p style="text-align:center;">PRISONER: <p style="text-align:center;">I've found it, master! I found the rare stone! Will I finally be able to be set free? <p style="text-align:center;">The gaoler takes the stone and looks at it, he smacks his glasses and three magnifiers drop out and he adjusts them and analyses the stone, he then expresses a disgusted look. <p style="text-align:center;">GAOLER: <p style="text-align:center;">...this is coal. <p style="text-align:center;">The prisoners all immediately turn around and gasp. <p style="text-align:center;">The gaoler then turns to some immensely bulky guards, he then points at the prisoner behind him. <p style="text-align:center;">Those guards come over to the prisoner, they grab him, they are seen taking him to a waterfall. <p style="text-align:center;">PRISONER: <p style="text-align:center;">No! I swear it was just an accident! I'm sorry! I won't let it happen again, please don't! <p style="text-align:center;">The prisoner is heard screaming offscreen as he is thrown the waterfall. <p style="text-align:center;">The boy is seen with a horrified look. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Now everyone. Don't be him. Is that right prisoners? <p style="text-align:center;">PRISONERS: <p style="text-align:center;">Uh-huh. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Is that right?! <p style="text-align:center;">The prisoners become alarmed and start mumbling. <p style="text-align:center;">The gaoler walks over to a prisoner who then starts to become nervous. <p style="text-align:center;">GAOLER: <p style="text-align:center;">You're not going to be him right? <p style="text-align:center;">PRISONER: <p style="text-align:center;">Um...y-yep, yep. <p style="text-align:center;">The gaoler squints at the prisoner, he then grabs his jaw. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Are you sure? <p style="text-align:center;">The prisoner starts nodding numerous times. <p style="text-align:center;">The gaoler puts his hand off the prisoners jaw, he then walks away from the herd of prisoners, he turns around. <p style="text-align:center;">GAOLER: <p style="text-align:center;">...get minin'. <p style="text-align:center;">CUT: A shot of the prisoners standing still, they eventually start mining faster then usual. <p style="text-align:center;">We then pan out of the prisoners mining and we see the hunter gazing at them from a distance, he then walks off. <p style="text-align:center;">''CUT: The gaoler walking along the many mining prisoners. A bulky guard walks to him.'' <p style="text-align:center;">GUARD: <p style="text-align:center;">Boss? <p style="text-align:center;">GAOLER: <p style="text-align:center;">Yes my dear guard? <p style="text-align:center;">GUARD: <p style="text-align:center;">What are these prisoners mining for exactly? <p style="text-align:center;">The gaoler faces the guard with a confused look. <p style="text-align:center;">GAOLER: <p style="text-align:center;">I've told you this enough times you know? <p style="text-align:center;">The guard shrugs. <p style="text-align:center;">GUARD: <p style="text-align:center;">Sorry boss, i'm a little absent minded ya know. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Ugh, well, many years ago, my father was on a search for a chest of emeralds my great, great, great, great, great, great... <p style="text-align:center;">The guard starts to look in disbelief while the gaoler keeps on saying great. <p style="text-align:center;">GAOLER: <p style="text-align:center;">...great, great, great grandfather had buried. You understand? <p style="text-align:center;">The guard nods. <p style="text-align:center;">The gaoler and guard walk for a few seconds, the gaoler stops. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Hey! Get back to work! <p style="text-align:center;">The guard runs off. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Sigh Can't believe these people work for me... <p style="text-align:center;">''CUT: The hunter's feet walking along the forest ground at sundown. The fox then runs into the shot and we follow it, it stops. <p style="text-align:center;">A large blue colored bird is shown, the fox is seen slowly walking towards it. <p style="text-align:center;">We then go to the point of view of the fox, it runs towards the bird. <p style="text-align:center;">The bird notices and immediately flies off. <p style="text-align:center;">We then leave the point of view of the fox, it begins to yip. <p style="text-align:center;">The hunter walks up to the fox, an owl is heard hooting, the hunter becomes alarmed. <p style="text-align:center;">He claps, and the fox then goes to the hunter and crawls up him and wraps itself on his neck. They then walk off. <p style="text-align:center;">CUT: A front shot of the boy sleeping in his cell on a simple bed with a lit hallway of other cells in it in the background, a guard is seen walking through it. <p style="text-align:center;">The light in the hall goes off. <p style="text-align:center;">Beat <p style="text-align:center;">The boy opens his eyes, he groans lightly, he closes them again.'' <p style="text-align:center;">CUT: The forest at night, a pair of pale skinned feet walk through the shot. <p style="text-align:center;">CUT: The cabin in the distance. The character, who happens to be a young female with grey hair and a grey rag like dress is seen walking towards it. <p style="text-align:center;">CUT: A shot of the door to the cabin at a shore height, the girl's lower body enters the shot and goes toward the door. <p style="text-align:center;">We start panning up her body until we get to her face. <p style="text-align:center;">CUT: The inside of the hunter's cabin, the hunter is seen looking out a window, knocking is heard. <p style="text-align:center;">He jolts his head towards the door. He starts to slowly walk towards it. <p style="text-align:center;">He opens the door, the girl looks up. <p style="text-align:center;">CUT: The hunter. <p style="text-align:center;">The girl suddenly expresses a look of horror and runs away from the door. <p style="text-align:center;">CUT: The cabin in the distance with the hunter in the cabin's doorway, with the girl running away. <p style="text-align:center;">The hunter's fox runs out of the doorway and chases after the girl. <p style="text-align:center;">The hunter goes inside the cabin briefly and comes out with a shotgun and immediately chases after the girl. <p style="text-align:center;">CUT: A wide angle shot of some trees in the forest, the girl is seen hiding behind one of them. <p style="text-align:center;">The fox enters the shot and starts walking towards the girl, growling. <p style="text-align:center;">The girl kicks the fox, which makes a loud yelp. <p style="text-align:center;">CUT: The hunter in the forest looking west, he immediately looks south upon hearing the yelp and runs out of shot. <p style="text-align:center;">CUT: The fox on the ground, passed out. <p style="text-align:center;">The hunter goes to the fox gets on his knees and picks it up. <p style="text-align:center;">CUT: A wide side angle of the hunter holding the fox. <p style="text-align:center;">''CUT: Prisoners mining in the forest. We zoom to one of them. <p style="text-align:center;">The gaoler walks by the prisoner and stop, he expresses a look of disgust.'' <p style="text-align:center;">He walks to the prisoner and picks him up by the waist. <p style="text-align:center;">GAOLER: <p style="text-align:center;">You're not mining enough. <p style="text-align:center;">The gaoler puts him down quite aggressively. <p style="text-align:center;">The gaoler looks at the prisoner's pick, then looks at the prisoner. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Get to it!! <p style="text-align:center;">The prisoner quickly gets back to mining, doing it faster. <p style="text-align:center;">CUT: The boy mining some stone. <p style="text-align:center;">He wipes sweat off his head and looks up, he expresses a bewildered look. <p style="text-align:center;">''CUT: A far away shot of the hunter and the fox walking in the forest along a river. The girl is in the hunter's arms. <p style="text-align:center;">CUT: The boy still with a bewildered look. <p style="text-align:center;">The gaoler enters the shot.'' <p style="text-align:center;">GAOLER: <p style="text-align:center;">What are you looking at? <p style="text-align:center;">The boy quickly looks at the gaoler. <p style="text-align:center;">The gaoler turns his head to where the boy was looking. <p style="text-align:center;">''CUT: The same forest area with the river. The hunter, fox and girl are absent. <p style="text-align:center;">CUT: The gaoler and boy.'' <p style="text-align:center;">GAOLER: <p style="text-align:center;">Must be day dreaming about your next escape I see. <p style="text-align:center;">The gaoler chuckles. <p style="text-align:center;">GAOLER: <p style="text-align:center;">Don't expect it to happen. <p style="text-align:center;">''The gaoler walks out of shot. The boy has a very irritated look. <p style="text-align:center;">CUT: The boy sitting in his cell looking out the window of it. <p style="text-align:center;">CUT: The forest. Smoke is seen in the background, alluding to the hunter's cabin. <p style="text-align:center;">CUT: The boy with a curious look.''  <p style="text-align:center;">GUARD 1 (Offscreen): <p style="text-align:center;">Wait, so what's happening tonight? <p style="text-align:center;">The boy turns around and tiptoes to the door of his cell. <p style="text-align:center;">CUT: A front shot of his face with a suspicious look. <p style="text-align:center;">GUARD 2 (Offscreen): <p style="text-align:center;">Boss is having a guest, something about dinner. <p style="text-align:center;">CUT: The guards at the entrance of the cells. <p style="text-align:center;">GUARD 1: <p style="text-align:center;">Hmm. How do you think it will go? <p style="text-align:center;">GUARD 2: <p style="text-align:center;">You think I know? <p style="text-align:center;">Guard 2 walks out of the entrance. <p style="text-align:center;">Guard 1 follows him. <p style="text-align:center;">GUARD 1: <p style="text-align:center;">I think he'll succeed. <p style="text-align:center;">As Guard 1 walks out, a pair of keys fall on the ground without the guard noticing. <p style="text-align:center;">CUT: The boy with a intrigued look. <p style="text-align:center;">He looks around his cell to try and find something long to try and fish the keys from the entrance.  <p style="text-align:center;">He then gazes at his iron bar window and quickly goes to it.  <p style="text-align:center;">CUT: The exterior of the prison, it is a stone brick wall, the boy is seen through the window.  <p style="text-align:center;">He attempts to put his hand through the bars, he only manages to get his hand through it.  <p style="text-align:center;">''CUT: The interior of the boy's cell, he still has his hand through the bars. He attempts to pull his hand out of the bars.  <p style="text-align:center;">He is unsuccessful, he pulls harder and his hand is freed from the bars and he falls to ground from the force he put.  <p style="text-align:center;">He turns back to the cell bars, he walks to them.  <p style="text-align:center;">He kneels down, he puts hand through those bars.  <p style="text-align:center;">CUT: The keys on the floor and the boy's arm reaching for them, other cells are seen in the background.  <p style="text-align:center;">Footsteps are heard.  <p style="text-align:center;">The boy is seen with a frightened look.  <p style="text-align:center;">His hand just about reaches the keys, he gets hold of them and quickly picks them up.  <p style="text-align:center;">The sound of footsteps gets louder, the boy quickly go to a bed in the corner and lays down facing the wall.  <p style="text-align:center;">CUT: The interior of the doorway to the cells. A guard goes through it.  <p style="text-align:center;">We follow him for a short period of time, he stops and then faces the boy's cell.  <p style="text-align:center;">CUT: The boy laying down on the bed. He is facing the wall.  <p style="text-align:center;">CUT: The guard, he walks off shot.  <p style="text-align:center;">CUT: The exterior of the prison itself. An asian woman wearing a red dress enters the shot.  <p style="text-align:center;">CUT: The interior of a hallway with stone walls, a wooden door is seen at the end of it. Knocking is heard.  <p style="text-align:center;">A guard walks onto shot to the door. He opens it.  <p style="text-align:center;">The same woman is seen upon opening it. She is caught off guard by the bulky individual.''  <p style="text-align:center;">GUEST:  <p style="text-align:center;">Oh, um...hello there. <p style="text-align:center;">The guard tilts his head.  <p style="text-align:center;">GUARD:  <p style="text-align:center;">You the guest? <p style="text-align:center;">The guest nods.  <p style="text-align:center;">The guard turns around.  <p style="text-align:center;">GUARD:  <p style="text-align:center;">Boss! Your guest is here! <p style="text-align:center;">The gaoler enters the shot with a rushed look.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">Why hello! <p style="text-align:center;">They shake hands.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">Pleasure seeing you here. <p style="text-align:center;">GUEST:  <p style="text-align:center;">Thank you. Pleasure seeing you also. <p style="text-align:center;">The gaoler nods with a smile on his face.  <p style="text-align:center;">''CUT: The exterior of the doorway to the cells. The guard walks through it.  <p style="text-align:center;">We start panning to the boys cell. He is still laying down and facing the wall. He turns his head around. He then gets up and dashes to his cell door.  <p style="text-align:center;">CUT: The exterior of the cell doorway again. The sound of jiggling alluding to the door being opened is heard.  <p style="text-align:center;">The sound of the door opening is heard.   <p style="text-align:center;">The door opens and the boy walks out of it and then the doorway.  <p style="text-align:center;">CUT: The interior of the hunter's cabin, darkly lit. The girl is tied on one of the walls of it, she is passed out.  <p style="text-align:center;">We start panning out and we see the hunter with the fox tied around his neck looking at her.  <p style="text-align:center;">CUT: Front shot of the hunter. He walks off shot.  <p style="text-align:center;">The shot moves and we see the hunter start laying down.  <p style="text-align:center;">He starts to snore.  <p style="text-align:center;">CUT: The girl still passed out.  <p style="text-align:center;">We start to zoom into her eyes.  <p style="text-align:center;">When we get to her eyes, they suddenly spring open, completely white and shining.  <p style="text-align:center;">She tilts her head up straight.  <p style="text-align:center;">She starts to open her open very widely, with a bone chilling moan.  <p style="text-align:center;">CUT: A shot of her lower shins and feet.  <p style="text-align:center;">They begin to elongate.  <p style="text-align:center;">CUT: The girl, still with shining white eyes, her body is getting more slender and longer.  <p style="text-align:center;">CUT: The fox laying down sleeping. It opens its eyes.  <p style="text-align:center;">CUT: A fish eye shot of the girl still with the shining eyes and elongating body.  <p style="text-align:center;">CUT: The gaoler and his guest in a dining room, sitting on chairs with an obnoxiously long table as well. The characters are sitting on each end of it.''  <p style="text-align:center;">GUEST:  <p style="text-align:center;">Quite an expansive room. <p style="text-align:center;">The gaoler nods with very fast movements.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">You like it? <p style="text-align:center;">The guest starts looking around the room.  <p style="text-align:center;">GUEST:  <p style="text-align:center;">It's nice, but you could put more here right? <p style="text-align:center;">The gaoler expresses a confused and shocked look.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">...i'll get to that eventually. <p style="text-align:center;">The guest rolls her eyes.  <p style="text-align:center;">''CUT: The boy in a hallway in the prison. He is walking very slowly.  <p style="text-align:center;">We then hear the sound of sizzling meat.  <p style="text-align:center;">The boy stops upon hearing this.  <p style="text-align:center;">He quickly tiptoes out of shot.  <p style="text-align:center;">CUT: A doorway which inside we see a kitchen, it is dark, and is only lit by the fire of an oven in it.  <p style="text-align:center;">A chef at a counter in the kitchen, wearing a white outfit, with black slightly balding hair, is seen. He is humming a song.  <p style="text-align:center;">CUT: The boy looking through the doorway, with a curious look.  <p style="text-align:center;">CUT: A shot of a cutting board on the kitchen table with the chef's hands in shot.  <p style="text-align:center;">His hands go off screen and come back with a large white onion in hand.  <p style="text-align:center;">He places it on the cutting board and cuts it in half.  <p style="text-align:center;">He peels away the onion skin and proceeds to dice it.  <p style="text-align:center;">He picks up the now diced onions and his hands go off screen. We hear sizzling alluding to a frying pan.  <p style="text-align:center;">CUT: The boy with a mesmerized look.  <p style="text-align:center;">CUT: A front shot of the chef moving the onions in the pan with a metal spatula. The doorway with the boy in it is seen in the background.  <p style="text-align:center;">He stops and walks offscreen and comes back with ground beef, he puts it into the pan.  <p style="text-align:center;">He grabs a wooden spoon and starts breaking up the meat.  <p style="text-align:center;">Steam is seen coming from the meat.  <p style="text-align:center;">The chef grabs something offscreen. He comes back with a jar of pureed tomatoes.  <p style="text-align:center;">He plops those into the pans and stirs it around.  <p style="text-align:center;">He turns around and sees the boy. The boy expresses a terrified look.  <p style="text-align:center;">CUT: Back shot of the boy with the chef walking towards him.  <p style="text-align:center;">He stops walking, he then kneels down.''  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Who may you be? <p style="text-align:center;">''CUT: Front shot of the boy, who looks nervous. He slightly opens his mouth, as if he's about to say something.''  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Ah, i don't really care. Hey, do you wanna help me with this food here? <p style="text-align:center;">The boy looks out of the doorway.  <p style="text-align:center;">CUT: The same hallway the boy walked through that led him to the kitchen, footsteps are heard, alluding to guards.  <p style="text-align:center;">CUT: The boy, who nods his head.  <p style="text-align:center;">''The chef smiles. He then points to the frying pan he was cooking in.''  <p style="text-align:center;">CHEF:  <p style="text-align:center;">The food is over there. <p style="text-align:center;">CUT: Front shot of the pan with the ingredients cooking on a stove, the boy walks over to it. <p style="text-align:center;">He looks down starts stirring it lightly with the spatula.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">It's a bolognese i'm cooking. For the guest we have visiting. <p style="text-align:center;">The boy suddenly jolts his head up.  <p style="text-align:center;">The chef nods his head.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Yep, I was thinking of asking you to add spices and such. <p style="text-align:center;">The boy turns his head around and nods it.  <p style="text-align:center;">The chef nods again.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Good. <p style="text-align:center;">The boy begins stirring again.  <p style="text-align:center;">Beat  <p style="text-align:center;">A loud crash is heard off screen.  <p style="text-align:center;">GUARD (Offscreen):  <p style="text-align:center;">Ow! I have a booboo! <p style="text-align:center;">The chef suddenly becomes alarmed.  <p style="text-align:center;">The chef walks to an offscreen part of the kitchen.  <p style="text-align:center;">He returns with bandages.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Hey, young boy. <p style="text-align:center;">The boy turns his head.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">I'm going to go help whoever got hurt, add those spices! <p style="text-align:center;">The boy nods.  <p style="text-align:center;">The chef leaves the room.  <p style="text-align:center;">The boy begins to dig through some spices through a cupboard above him.  <p style="text-align:center;">He takes out a bottle of red powder.  <p style="text-align:center;">CUT: The bottle of powder, which says Red Savina Habanero.  <p style="text-align:center;">CUT: The boy, who has a thinking expression.  <p style="text-align:center;">He opens the bottle, which omits a red cloud in the shape of a skull.  <p style="text-align:center;">He looks in the bottle and sniffs the powder.  <p style="text-align:center;">He convulses lightly.  <p style="text-align:center;">Beat  <p style="text-align:center;">He dumps it into the pan.  <p style="text-align:center;">The boy digs through the cupboard and comes out with several containers.  <p style="text-align:center;">He then starts dumping in all the random spices, while he's putting it in, we see the various labels for this, the first one is a long thin bottle with a label saying Grim Reaper Powder, the second one a square shaped bottle with a label saying Scorpion Venom, the third one being another thin bottle saying Satan's Toe Sweat and the final bottle, a small thin bottle with a label saying Powdered Death.  <p style="text-align:center;">He grabs the wooden spoon and starts mixing it around.  <p style="text-align:center;">He then stops and looks at the mixture.  <p style="text-align:center;">CUT: Front shot of the meat sauce, it's bubbling and is even making growling noises.  <p style="text-align:center;">CUT: The boy still staring at the sauce.  <p style="text-align:center;">The chef enters the room.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Alright, that guard is taken care of. <p style="text-align:center;">The chef notices the boy looking at the pot of meat sauce.  <p style="text-align:center;">He walks over to the boy.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">You've finished the sauce I see! <p style="text-align:center;">The boy nods.  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Good! I'm going to get some pasta done. Wanna help? <p style="text-align:center;">The boy nods again.  <p style="text-align:center;">''CUT: A wooden table with a fork and knife on it. A plate of steaming hot bolognese and pasta is placed on it.  <p style="text-align:center;">We pan up to see the gaoler smiling smugly at his food.  <p style="text-align:center;">CUT: The chef at the wooden table the gaoler is at.''  <p style="text-align:center;">CHEF:  <p style="text-align:center;">Bon Appetit! <p style="text-align:center;">GAOLER:  <p style="text-align:center;">Look very nice I will say. <p style="text-align:center;">The chef bows lightly.  <p style="text-align:center;">The chef walks off shot.  <p style="text-align:center;">CUT: Side shot of the gaoler and guest at each end with plates of bolognese.  <p style="text-align:center;">The gaoler and guest lift their forks up.  <p style="text-align:center;">The gaoler makes a gesture with his fork.  <p style="text-align:center;">They start to eat the food.  <p style="text-align:center;">We cut to the guest, who gives an uncomfortable expression.  <p style="text-align:center;">We cut to the gaoler.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">Anything the matter? <p style="text-align:center;">We cut back to the guest who is nodding.  <p style="text-align:center;">GUEST:  <p style="text-align:center;">Spicy. <p style="text-align:center;">We cut to the gaoler who has an embarrassed expression.  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">...is that bad? <p style="text-align:center;">''We cut back to the guest, who has an even more uncomfortable expression. She is nodding.  <p style="text-align:center;">We cut back to the gaoler.  <p style="text-align:center;">Beat''  <p style="text-align:center;">GAOLER:  <p style="text-align:center;">I'll sack the cook later. <p style="text-align:center;">''CUT: The exterior of the dining room, which is a hallway, the boy is seen walking down it. He stops upon hearing the pained moans of the guest near the dining room's entrance. He walks near the entrance of the dining room and takes a peek.  <p style="text-align:center;">CUT: The gaoler and the guest. The guest begins to look nauseous.''   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">Um, do you want to call it a day? <p style="text-align:center;">The guest's face starts to turn red.   <p style="text-align:center;">The gaoler looks in horror.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">Oh dear! OH DEAR!   <p style="text-align:center;">CUT: The boy looking at the dining room, he starts to snigger.   <p style="text-align:center;">CUT: The guest with a fully red face, she starts to convulse.   <p style="text-align:center;">CUT: The boy in the hallway, still sniggering.   <p style="text-align:center;">GAOLER (offscreen):   <p style="text-align:center;">'''CHEF!! CHEEEF!!!'   <p style="text-align:center;">The chef from earlier is seen exiting a door in the background, he starts running, he runs past the boy into the dining room, without even acknowledging the boy.   <p style="text-align:center;">CUT: Dining room with the gaoler, the chef is seen walking to his side of the table.''   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">S-she's not looking too good... <p style="text-align:center;">The chef gazes at the guest and suddenly expresses a look of terror.   <p style="text-align:center;">Beat.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">Well? <p style="text-align:center;">The chef attempts to mutter something.   <p style="text-align:center;">CHEF:   <p style="text-align:center;">Ru...ru... <p style="text-align:center;">The gaoler expresses a confused look.   <p style="text-align:center;">He clicks his fingers at the chef.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">Speak up! <p style="text-align:center;">CHEF:   <p style="text-align:center;">Ruuuun!   <p style="text-align:center;">The chef runs off, past the boy in the background still looking at the events unfolding.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">What? <p style="text-align:center;">''The gaoler suddenly spots the boy. The expresses an alarmed look after being spot.   <p style="text-align:center;">CUT: A full view of the gaoler's face. It becomes fierce.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">You.   <p style="text-align:center;">The guest is heard moaning. The gaoler stops looking fierce and turns his gaoler to the guest.   <p style="text-align:center;">CUT: The guest, completely red, she is groaning, a bump is seen in her throat, it starts to rise, it's get bigger and bigger and it comes up.   <p style="text-align:center;">CUT: The boy in the hallway. He realizes he may get severely injured so he runs away from the dining room.   <p style="text-align:center;">CUT: Front shot of the goaler, he looks ready for impact. He closes his eyes.   <p style="text-align:center;">CUT: The boy running from the dining room. He starts to enter an area that looks like an exit.   <p style="text-align:center;">CUT: A room similar to a checkin room of a hotel. A guard is seen sitting down, reading a book titled "Running Your Own Hotel".   <p style="text-align:center;">The boy runs by him.   <p style="text-align:center;">The guard notices.''   <p style="text-align:center;">GUARD (Quietly):   <p style="text-align:center;">Hey! <p style="text-align:center;">CUT: The guest, her mouth opens and a large orange light bursts out.   <p style="text-align:center;">''CUT: The exterior of the prison. Nightime. The same entrance the guest went through is seen. The boy is seen running out it.   <p style="text-align:center;">A large explosion is heard. Windows seen in the prison shatter with orange smoke coming out.   <p style="text-align:center;">CUT: The boy running. He stops and turns back, he then smirks and runs out of shot.   <p style="text-align:center;">CUT: The exterior of the dining room. Multitudes of guards are seen with worried expressions. We start panning into the dining room, with more and more guards being seen. Guards are seen around presumably the gaoler, smoke is seen.   <p style="text-align:center;">CUT: Side shot of the gaoler, completely covered in black ash, with a blank expression.   <p style="text-align:center;">A guard's head enters the shot.''   <p style="text-align:center;">GUARD:   <p style="text-align:center;">...you a'ight boss? <p style="text-align:center;">The gaoler attempts to from some words.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">...get...that...boy. <p style="text-align:center;">The guards start mumbling to one another, deciding whether or not to start a manhunt on the boy.   <p style="text-align:center;">GUARD:   <p style="text-align:center;">Okay boss! <p style="text-align:center;">The guards make sounds of agreement.   <p style="text-align:center;">''They all leave the room. Some tripping is heard.   <p style="text-align:center;">CUT: The boy walking through the forest. It is dark and foggy and the boy is seen having trouble seeing through the fog.''   <p style="text-align:center;">We hear tiny creature pass by the boy, he turns around. <p style="text-align:center;">CUT: Multitudes of mice running away.   <p style="text-align:center;">We cut to a waist height shot of the boy walking through the forest.   <p style="text-align:center;">Beat   <p style="text-align:center;">''We hear a splash. The boy immediately recoils and looks down.   <p style="text-align:center;">CUT: The boy's foot in a river.   <p style="text-align:center;">We cut back to the boy, he slowly looks up and we pan to the hunter's cabin, which has a white light from the inside, alluding to the girl, the windows on the cabin are melted.   <p style="text-align:center;">We cut back to the boy, he gulps and walks forward off shot.    <p style="text-align:center;">CUT: Exterior of the cabin. White light is seen from the inside. The boy enters the shot.   <p style="text-align:center;">We cut to a front shot of him. His hair starts to float. He becomes somewhat frightened, he slowly opens the door.   <p style="text-align:center;">CUT: Interior of the cabin, which is the other side of the door. Items are seen flying in circular motions.   <p style="text-align:center;">The door opens, and the boy expresses a rather flabbergasted look as we pan to the girl, who seems to have freed herself from her constraints and is floating. She is incredibly thin and slender at this point, still making the same moan.   <p style="text-align:center;">CUT: The boy glancing at the girl in shock. He then looks towards the screen.   <p style="text-align:center;">CUT: The hunter and fox wrapped around the hunter's neck, trying to grab some weapon in the items flying around the cabin.   <p style="text-align:center;">We cut back to the girl, who suddenly closes her eyes and stops moaning. She becomes shorter, eventually returning to her normal height. She then drops onto the floor.   <p style="text-align:center;">There is a silence. We cut between the boy and hunter.   <p style="text-align:center;">The hunter glances at the boy, and we see his eyebrows raise above his goggles.   <p style="text-align:center;">The boy then realizes the hunter may harm him, and he runs out the door.   <p style="text-align:center;">The hunter scrambles through some items on the floor and grabs an ax. He walks off shot.   <p style="text-align:center;">CUT: The boy running from the cabin. The hunter runs after him.   <p style="text-align:center;">The boy runs through bushes and trees as the hunter attempts to catch up.   <p style="text-align:center;">The boy finds the river he stepped in, he decides to follow it's stream.   <p style="text-align:center;">CUT: The exterior cabin doorway. a hand is seen grabbing onto the side, alluding to the girl.   <p style="text-align:center;">CUT: The boy running along the river. We cut to his face, which shows he isn't looking where he's going.   <p style="text-align:center;">He slams head first into a tree, he falls down.   <p style="text-align:center;">CUT: Point of view of the boy, his vision is blurred. The hunter appears above him. He raises his ax.   <p style="text-align:center;">We cut to the boy on the ground, still dazed but he gets back to his senses and rolls out of target of the hunter's ax.   <p style="text-align:center;">The hunter attempts to chop him up a few more times but these are unsuccessful.   <p style="text-align:center;">The boy spots a plant nearby and grabs it. He grabs the hunter's goggles and stuffs the plant in between the hunter's eyes and goggles.   <p style="text-align:center;">The hunter scrambles to get the plant out of his goggles. The boy uses this moment to run from the hunter.   <p style="text-align:center;">We follow the boy as he hides behind a tree. We see the hunter in the background. He orders his fox to sniff out the boy.   <p style="text-align:center;">The fox crawls off the hunter and sniffs around for the boy.   <p style="text-align:center;">The fox looks behind some trees, and eventually goes to the boy's.   <p style="text-align:center;">The fox begins yipping upon sighting him and the hunter runs over to the fox.   <p style="text-align:center;">The hunter grabs the boy by the neck and holds him up.   <p style="text-align:center;">The boy attempts to gasp for air. The boy is struggling to breathe.   <p style="text-align:center;">The hunter is shown with an emotionless expression.   <p style="text-align:center;">The hunter then slams the boy down on the floor. The boy is almost passed out and is gasping for breathe. The hunter lifts his ax up, finally being able to kill the boy.   <p style="text-align:center;">But then, the blade of the ax begins to crack, breaking into little pieces. The hunter begins to look in horror as the ax cracks and chips until it's just a wooden handle.   <p style="text-align:center;">The boy is seen attempting to get up, and he turns his head, his eyes widen.   <p style="text-align:center;">CUT: The girl, with completely white eyes and holding her hands up, her mouth is wide open, she seems to have been the one who destroyed the ax.   <p style="text-align:center;">CUT: The hunter with an angered expression.   <p style="text-align:center;">He runs towards the girl, but he is suddenly stopped by a force perhaps brought by the girl. He seems to have been paralyzed for a short period of time.   <p style="text-align:center;">The boy, seeing an opportunity, gets up and runs away from the hunter and girl.   <p style="text-align:center;">CUT: The girl still with white eyes and with her hands up, she suddenly goes back to normal and runs out of shot.   <p style="text-align:center;">CUT: Two horse carriages in the forest. The gaoler and some guards are seen in them.   <p style="text-align:center;">CUT: Interior of the carriage the gaoler is in. A guard is sitting next to him. The interior of the carriage is black with a velvety texture. The head has a somewhat chaotic look on his face.''   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">I'm gonna kill him! I'm gonna kill him! Now this, this is the final straw! <p style="text-align:center;">''The guard next to him starts to look weirded out from the gaoler's lunacy. The gaoler notices this and begins to look angered, he begins shaking his gaoler. The guard starts to look pressured.''   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">You don't get it do you? <p style="text-align:center;">The guard, looking faint, shakes his gaoler in a negative way.   <p style="text-align:center;">The gaoler frowns heavily.   <p style="text-align:center;">He looks the other direction.   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">You'll never get it in that thick skull of yours. <p style="text-align:center;">The guard begins to look sad.   <p style="text-align:center;">''CUT: A small stream in the forest. The boy runs into shot. He stops at the stream, panting for breath.   <p style="text-align:center;">CUT: Top shot of the boy, we see his reflection in the water. We hear the sounds of carriages in the background, alluding to the gaoler's carriages.   <p style="text-align:center;">He runs away from the stream and leaves the shot.   <p style="text-align:center;">CUT: The boy running, we follow him, after a few seconds, the girl enters the shot and the two collide with one another.   <p style="text-align:center;">The boy gets up and recognizes the girl, he becomes alarmed and scared that the girl may harm him.   <p style="text-align:center;">He starts backing up from the girl. The girl gets up and starts to pursue him.   <p style="text-align:center;">The girl tries to signal that she isn't a threat, but the boy doesn't buy it. He proceeds to run away from her. The girl follows him.   <p style="text-align:center;">CUT: The hunter ravaging through the forest. He tears away bushes and such that dear to get in his way. We then stop at a dirt path. We hear the gaoler's carriages again.''   <p style="text-align:center;">GUARD (Offscreen):   <p style="text-align:center;">Excuse me. <p style="text-align:center;">The hunter turns his head.   <p style="text-align:center;">CUT: The carriage involving the gaoler and guard.   <p style="text-align:center;">GUARD (cont'd):   <p style="text-align:center;">Could you get out the way please? <p style="text-align:center;">''CUT: The hunter. He starts to look enraged. He raises his ax.   <p style="text-align:center;">CUT: Bottom shot of the carriage. The ax cuts the straps for the horses off and they run off, frightened.   <p style="text-align:center;">The guard, horrified, gets out of the carriage. The gaoler also has a surprised expression.''   <p style="text-align:center;">GUARD:   <p style="text-align:center;">Um, p-please stop. We have things to do! <p style="text-align:center;">''CUT: The guard. He looks even more enraged, he raises his ax again.''   <p style="text-align:center;">GUARD:   <p style="text-align:center;">Okay, never mind! <p style="text-align:center;">The guard runs away screaming.   <p style="text-align:center;">''The gaoler proceeds to get out of the carriage, angered. He turns the other way.''   <p style="text-align:center;">GAOLER:   <p style="text-align:center;">Hey! Where are you going?! <p style="text-align:center;">''We start to zoom in on the gaoler. He turns his head forward. He expresses a horrified look.   <p style="text-align:center;">CUT: The hunter still with a raised ax, he swings it at he gaoler, but we don't see the aftermath of this.''   <p style="text-align:center;">More coming soon.